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Growing Toward the Light
for Symphony Orchestra
A generative center of the entire narrative succession is the Main Theme or, better still, the way its appearance in the first section of the visual-musical form of the whole, namely the Exposition, is organized. The composer's ingenuity consists of placing before the Main Theme a motivic introductory formula, which is structured in two sonorous configurations in the logic of the "question"- "answer" relation. It is actually about two aspects, of the same motive, conversely symmetrical... more >>
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Stalactite - The Silent Witness
for String Orchestra
In this piece Aaron Fazakas creates a type of polymorphous expression which aims to suggest by subtle means, the burst of some extremely volumetric imaginary flows. First of all, they are spaces of interiority, hidden places of the imaginary "exhumed" by the composer in a ludic, seductive impudicity which justifies the structural stake of this tripartite piece. The expressive effects function in a form of "polyphony", blending the imagistic suggestibility with the more relevant... more >>
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Don't CATch the MOUSE
for Woodwind Quintet
By a surprising intuition that the composer Aaron Fazakas possesses, the musical material of the work is entrusted to a clarinet quintet, this solution emphasizing even more the fact that the major stake of this music is the play, the simple and careless jest.
The references to the jazz-rock stylemes (the "slap" procedure on the bass-clarinet and the syncopations implicit to the style), the stake on the immitation procedure, on the entries ”in tiers” of the instruments of the ensemble, on the... more >>
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Graffiti
Four-Handed Piano Piece
coming soon!!
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Puzzle
for Mixed Choir
The music of this piece seduces in the intimacy of its expression, but also in the ludic spontaneity by means of which the "cubes" of sonority are manipulated. Free from restrictions, etherical, sometimes contradictory in apppearance, in its hasty counterpoints, the language of Puzzle recalls indirectly the semantism and the imaginary of jazz. The presence of the "blue" notes amplifies the charm and the secrecy of the manner in which the expression and the suggestibility of... more >>
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Other Compositions:
Missa Fidelium - for Solo Voices, Mixed Choir and Symphony Orchestra
The Clone - for Two Cellos and Orchestra
Do You Believe in Santa Claus? - for Mixed Choir
Puzzle II - for Vibraphone, Marimbaphone and Double Bass
The Little Match Girl - Suite for Solo Oboe and Orchestra etc.
Orchestrations:
Pietro Mascagni: Ave Maria - for Soprano and Orchestra
Charles Gounod: Parce Domine - for Soprano and Orchestra
Eric Clapton: Tears in Heaven - for Solo Baritone, Mixed Choir and Bluesband
Lara Agustin: Granada - for Solo Tenor and Orchestra
Kalinka [Russian popular song] - for Soprano, Tenor and Orchestra etc.
Songs
Revino acum (Come back) - for Rock Band
Am plecat (Away) - for Electronic Instruments etc. |
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