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Growing Toward the Light
 

Growing Toward the Light
for Symphony Orchestra

 

A generative center of the entire narrative succession is the Main Theme or, better still, the way its appearance in the first section of the visual-musical form of the whole, namely the Exposition, is organized. The composer's ingenuity consists of placing before the Main Theme a motivic introductory formula, which is structured in two sonorous configurations in the logic of the "question"- "answer" relation. It is actually about two aspects, of the same motive, conversely symmetrical... more >>

 
Growing Toward the Light
 
See larger cover   Growing Toward the Light.mp3   Look inside
             
 
Stalactite - The Silent Witness
 

Stalactite - The Silent Witness
for String Orchestra

 

In this piece Aaron Fazakas creates a type of polymorphous expression which aims to suggest by subtle means, the burst of some extremely volumetric imaginary flows. First of all, they are spaces of interiority, hidden places of the imaginary "exhumed" by the composer in a ludic, seductive impudicity which justifies the structural stake of this tripartite piece. The expressive effects function in a form of "polyphony", blending the imagistic suggestibility with the more relevant... more >>

 
Stalactite - The Silent Witness
 
See larger cover   Part II - Inside (In the Spell's Arms).mp3   Look inside
             
 
Dont Catch the Mouse cover
 

Don't CATch the MOUSE
for Woodwind Quintet

 

The play and the smile are two keywords of this work destined to 5 clarinet players. But it is only apparently, as each of the ensemble instruments can be replaced with another, conferring this work an impressive multitude of timbre "personalities". The references to the jazz-rock stylemes (the "slap" procedure on the bass-clarinet and the syncopations implicit to the style), the stake on the imitation procedure, on the entries "in tiers" of the instruments of the ensemble, on the counterpointed ... more >>

 
Dont Catch the Mouse score
 
See larger cover   Don't CATch the MOUSE.mp3   Look inside
             
 
Graffiti cover
 

Graffiti
Four-Handed Piano Piece

 

Review coming soon!!

 
Graffiti score
 
See larger cover   Graffiti.mp3   Look inside
             
 
Puzzle cover
 

Puzzle
for Mixed Choir

 

The music of this piece seduces in the intimacy of its expression, but also in the ludic spontaneity by means of which the "cubes" of sonority are manipulated. Free from restrictions, etherical, sometimes contradictory in apppearance, in its hasty counterpoints, the language of Puzzle recalls indirectly the semantism and the imaginary of jazz. The presence of the "blue" notes amplifies the charm and the secrecy of the manner in which the expression and the suggestibility of... more >>

 
Puzzle
 
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     Other Compositions:

          Missa Fidelium  -  for Solo Voices, Mixed Choir and Symphony Orchestra
          The Clone  -  for Two Cellos and Orchestra 
          Do You Believe in Santa Claus?  -  for Mixed Choir 
          Puzzle II  -  for Vibraphone, Marimbaphone and Double Bass 
          The Little Match Girl  -  Suite for Solo Oboe and Orchestra  etc.


     Orchestrations:

          Pietro Mascagni: Ave Maria  -  for Soprano and Orchestra 
          Charles Gounod: Parce Domine  -  for Soprano and Orchestra 
          Eric Clapton: Tears in Heaven  -  for Solo Baritone, Mixed Choir and Bluesband 
          Lara Agustin: Granada  -  for Solo Tenor and Orchestra 
          Kalinka [Russian popular song]  -  for Soprano, Tenor and Orchestra   etc.


     Songs

          Revino acum (Come back)  -  for Rock Band 
          Am plecat (Away)  -  for Electronic Instruments  etc.
 
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